Q: What motivates the narrator to kill the old man? How does Edgar Allan Poe develop the theme of insanity in his short story “The Tell-Tale Heart”?
Answer: Edgar Allan Poe is one of the greatest short story writers in the history of American literature. Many of his stories deal with psychological pictures of insanity and madness. They also deal with the dark side of the human psyche that reveals the victory of evil over good. This is especially true in the story “The Tell-Tale Heart”

We are introduced here to two most important characters. One is the narrator of the story and other is the old man. Both are unnamed here. They stand here opposite to each other. Actually they are not hostile to each other, but the narrator could not develop a liking or feeling for the old man because of his vulture like evil eye. The narrator was always haunted day and night by that evil eye. He was horribly afraid of the eye. There was no reason other than this eye behind it. He loved the man that man had brought no harm to him nor given him insult. He had no lure for his gold. Whenever the evil eye fell upon him, his blood ran cold. A terrible fear caught his mind. It frequently visited his memory and so it was intolerable to him. He was so obsessed by the fear of the evil eye that he could not help becoming desperate and planning to kill the old man. So to get rid of the pale blue evil eye he made up his mind to take the old man’s life. This is something extraordinary and the reader’s attention is turned to something sensational and dramatic. Then he sneaked into his room with a lantern, moved towards the man whose eyes were closed as he was sleeping. He was cautious enough not to awaken him, for seven nights he turned the latch of the door put his head in and undid the lantern but found his vulture like evil eyes closed. So, he could not kill him. It was his vulture eye, which made his life unbearable. He found his eye open on the eighth night and he took his revenge on that evil eye by putting him to death. After the incident there was a small outcry and a neighbour reported this sound of crying to the police. After being informed of the matter, three policemen came to search the house. The narrator told them that it was nothing but a small cry that he experienced in dream and the old man went to his country house. He took them all over the house and finally to the old man’s chamber. All things were safe and placed orderly. The police officers then took their seats there and the narrator placed his seat on the very spot under which the dead body of the old man was placed. They sat there and started talking familiar things. He wanted them to leave the place soon. At that time he heard the heart beats of the old man who was already dead. The narrator then got pale. The sound grew louder and louder and the narrator thought that the three policemen also heard the same. He thought they were mocking and laughing at him. He talked more to get rid of the feeling, but it gradually become more distinct. The sound made strong echo in his ears. Actually none but only he heard that noise. This sound reaches the ears of the guilty man but not the visitors. The narrator could not bear it. Finding no other alternative, he finally confessed his guilt. When the policemen could not find anything wrong, under the great psychological pressure, the killer admitted that he had committed the murder. The narrator becomes a victim of sound hallucination. Actually there was no sound but the sound of heartbeats that he hears is nothing but the presentation of his guilty conscience. Here the heartbeats are symbolically presented. They stand for the prick of conscience. His guilty mind was then seized with the prick of conscience. He could no longer tolerate the pricking and was being haunted by the guilty experience. Even his suspicious mind was afraid of the police. He then under psychological pressure cried out and told that he had done the heinous and gruesome crime. So it was not merely a tale of conscience, but also a psychological pressure under which the mind of a guilty man oscillates to and from and finally exposes his real nature and admits his guilt.















